Archives for October, 2012

Notes for a Praise Book

Notes for a Praise BookJeff Hardin is extremely sophisticated, mature, and knows exactly what he is doing.

— Toi Derricotte, The Undertaker’s Daughter (Pitt Poetry Series), Academy of American Poets’ Board of Chancellors

An “advocate of letting things lean as they must,” Jeff Hardin does not shy from the realities of a changing world, each poem “the gist of the gist,” that precise and graceful a rendering. Of course there is sorrow in Hardin’s awareness of the present slipping into the past, into “a field gone dark with itself.” And there is beauty, too—as Hardin shows us—in the inevitability of “a compass pointing here / and nowhere else.” Notes for a Praise Book is the welcome new work of a wise and generous poet.

— Claudia Emerson, Late Wife (LSU Press, winner Pulitzer Prize)

…and love…

...and love...Poems by Marge Piercy, Sam Hamill, Dorianne Laux, Ron Rash, Lola Haskins, Stuart Dischell, doris davenport, Fred Chappell, Kathryn Stripling Byer, Alan Michael Parker, Michael Chitwood, Betty Adcock, Joe Millar, Nancy Simpson, David Huddle, Holly Iglesias, Dannye Romine Powell and 100+ other poets.

Lovers and spouses. Sons and daughters. Parents, friends, strangers, pets. First love, last love, dying love, passionate love, sad love, wasted love, devoted love; love of body, love of spirit, love of self, love of place, love of time, love of moments, love of love.

Love that shivers, fizzles, shimmers, love that fades, dissolves, grows bitter. Love that races ahead, love that lingers. Comfortable love. Edgy love. Hungry love. Discarded love. Love that can no longer be called love. Love too great to be contained in one word.

Love as sacrifice or companionship. Love as passion, lust, or fetish. Love as angry or kind, controlling or tender. Love that lasts, in spite of itself. Love won hard. Love lost. Twists,turns, calamities, salvation. The sweet, delicious falling in…

We’ve been lucky in love. Love has come to us in abundance. Or love has been withheld, denied, stolen, broken. We’ve stumbled on love, we’ve chased after love, we’ve driven into the storm of it. We’ve courted love. We’ve been stalked. We’ve fallen. We’ve soared. We’ve despaired. We’ve shared love, been lonely in love and been, well, awake–in all the ways that make the breath come quick–all for the sake of three words. Whatever it brings, love is the only thing that makes everything else ring true.

Amaranthine Hour

Amaranthine HourWinner of the Jacar Press Chapbook Contest
by Chera Hammons

This is wonderful work. The poems in Amaranthine Hour are both vibrant and somehow modest at the same time, wonderfully reflective. The speaker has earned maturity and understanding yet realizes that even this achievement has its limits and is ephemeral. The mildly eccentric, at times, lineation works here, as do subtle repetitions throughout the well-patterned and arranged manuscript. Teeters at the brink of sadness but refuses to give in to it.

        – John Hoppenthaler (Anticipate the Coming Reservoir and Lives of Water, Carnegie Mellon University Press)

Amaranthine Hour is an elegant meditation on the mysteries of nature—personal experience—and the soul—in the redemptive inventive human act of naming the invisible, and the formerly unnamable. A rich phenomenological grappling with grief, mortality, love, and the violence of loss.

        – ‘Annah Sobelman (In the Bee Latitudes)

Smoke of Her Body

Smoke of Her BodyWinner of the Jacar Press Full Length Book Contest
by Stephanie Levin

Sensuous and precise, these poems explore the boundaries and transgressions between parents, children, lovers: the ways we confine one another, the ways we break free.

“This one just has that punch in the stomach, ‘wow, who the f#!% wrote this’ factor going for it. I like how the poems are strong, yet understated, loud and quiet at the same time.”
        – Dorianne Laux, The Book of Men (W.W. Norton)

“Unrelentingly harrowing.”
        – Marie Howe, The Kingdom of Ordinary Time (W.W. Norton)

Bitter Acoustic

Bitter AcousticWinner of the Jacar Press Chapbook Contest
by Sharon McDermott

A woman’s yearning and the inevitable losses of a life take shape, find meaning in the rejuvenating power of the natural world, and the rich textures of language.

“Here is poetry that insists on music not only heard but palpable, the physicality of language and the beauty of that body. In the “ice pizzicato,” “petrified spirals of delft blue,” and keening and splintering glass of the intense opening poem, “Icicle Suite,” we are let into the “song of the odd dream.” This and the poems that follow are mystery and clarity together, and a medicine for hearing, however bitter, as well as emotion embodied, a tactile grace. From the winter snows of the first section, changeable and audible, to the “sloe gin of summer twilight” in the turn of the second section, these packed lyrics win us toward a vision. McDermott remembers the old magic: poetry as memorable language. Bitter Acoustic is a making so genuine, so original, so true it takes the breath away.”
        – Betty Adcock, Slantwise (LSU Press)

“Sharon McDermott has an acute musical ear, and the life of sound, and how it intensifies feeling, is everywhere in Bitter Acoustic. ‘Then drizzle blew the night to pins’ is an instance early in these pages. The book, for me, begins in blues, rueful, not self-pitying; wise, but caught. Then in the second part of the book, the ground begins to shift: the poetry itself seems happy to be joyful, and gains life from it. A hard-earned, beautiful book.”
        – Jean Valentine, National Book Award Winner

Southern Fictions – Collector’s Edition

Southern FictionsA book of sonnets by Kathryn Stripling Byer

A rare, limited edition handmade book of sonnets about race relationships in the South by the former NC Poet Laureate. Each one of the 100 copies of this collectible book art is made from handmade paper covers, with Confederate flags pulped in, archival interiors, individually hand-printed on a letterpress, and hand bound. A literary artistic artifact for the serious poetry lover and collector. $100 each.

To see more about the process, visit Horse and Buggy Press.

Contact us to order a copy.

The Sound of Poets Cooking

The Sound of Poets Cooking

Sold Out. 

Featuring work by five dozen poets, including NC Poet Laureates Fred Chappell and Kathryn Stripling Byer, and dozens of other nationally celebrated writers. The poems alternate with recipes written by the poets, their family members, lovers and friends. The writing is at turns sensuous, hilarious, elegant, and playful. The recipes range from Asian, through European, to Middle Eastern dishes, as well as regional favorites from across the U.S.–tiramisu, homemade curry, vegetarian meals, exotic seafood, some simple, some complex. There is something here for every palate, literary and culinary.

Proceeds from the sales of this book will be used to fund writing workshops in excluded communities.

The Next Moment

The Next Moment

A poetry collection from Debra Kaufman

“Kaufman’s poems trace a journey of passion, emotional turmoil, loss and reconfiguration, sometimes in natural settings of almost mystical beauty. She can be exact: ‘the heron hushed and studious…’ Or lyrical: ‘…leaves swoop and skirt/the chilling wind like chimney swifts,’ and perfectly descriptive: ‘Clouds gray as porridge hold down the air.’ The first section is all longing, self-questioning, and self aware desire-turned-feminist. The contrapuntal “Minestrone, Rainy Day” is a dance of ordinary soup-making with an interior monologue of rich grief and empathy.

A father’s death is the shadow and silk, smoke and tears and the heart of the central section, rendered in short lyrics. It is out of such loss that the poems of the final section emerge into, and as, “This Moment.” Now summer’s song is shimmer, and autumn’s song is a boy playing in the leaves tossing ‘armfuls of color/upward, like sparks.’ The poet’s song is lament becoming hymn of acceptance and celebration.”

        – Betty Adcock, NC Award in Literature, Fellowships from the National Endowment for the Arts and the Guggenheim Foundation

Part of the proceeds from this book will be donated to GEMS — Gridley Emergency Medical Service (rural ambulance) and to Hospice.